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Since this thread seems pretty moribund, i will allow myself to offer my personnal list. My favorite movies are those i could watch 1000 times:
"Nosthalghia", "The Sacrifice", "Stalker", "The Mirror" and "Solaris", by russian director Andre? Tarkovsky; "Persona", "The 7th Seal", "Cries and whispers", "Wild Strawberries", by Ingmar Bergman; "Memento", by brit Chris Nolan; "Wings of Desire" and "Paris, Texas" by german Wim Wenders; "Breathless" and "?loge de l'Amour", by swiss Jean-Luc Goddard; "The Obscure side of the Heart", by argentinian Elisea Subielo; "The Night of the Hunter", by brit Charles Laughton; "Crimes and Misdemeanors", "Manhattan" and "Annie Hall", by american Woody Allan; "The Gospel According to Matthew" and "Oedipus Rex", by italian Pier Paolo Pasolini; "Kwaidan", by japanese Masaki Kobayashi; "Ikiru" and "The Seven Samourais", by japanese Akira Kurosawa; "A Touch of Evil" and "The Trial", by american Orson Welles; "The Bicycle Thief" and "Umberto D", by italian Vittorio de Sica; "Three colors: Blue" and "The Double Life of Veronique", by polish Krzystof Kieslowski; "The Orders", by canadian Michel Brault; "The Treasure of the Sierra Madre", "The Asphalt Jungle" and "The Night of the Iguana", by american John Huston; "The Thin Red Line", by american Terrance Malick; "Secrets and Lies" and "Naked", by brit Mike Leigh; "The Raven" and "The Wages of Fear", by french Henri-Georges Clouzot; "My Uncle Antoine", by canadian Claude Jutras; "Ulysse's Gaze", by greek Theo Angelopoulos; "The Great Illusion", by french Jean Renoir; "Angel Heart", by brit Allan Parker; "Amen", from french Costa-Gavras; "Path of Glory", by brit Stanley Kubrick; "Orpheus", by french Jean Cocteau; "Four Friends", by american Arthur Penn; "Death in Venice", by italian Luchino Visconti; "Modern Times", by brit-american Charles Chaplin; "Matewan", by american John Sayles; "Ryan's Daughter", from David Lean; "Hamlet", by Kenneth Brannagh; "Amarcord" and "Fellini Satyricon", by Federico Fellini; "The Woman in the Dunes", by Hiroshi Teshigahara; "Faust", by Wilhelm Murnau; "Double Indemnity", by Billy Wilder; and many many more of course. I think it is now and for ever well established, for anyone who cares, that i'm not only an old fart, but also a g.. dm.. pretensive asshole. Thank you. |
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